Joy Swearingen, The Quill
While Morgan Groth is young in the field of interior design, she is already receiving high honors for her talent. Groth was named to this year’s class of “30 Under 30,” recognized by Interior Design Magazine at an event earlier this year.
This program recognizes the top 30 designers under the age of 30 who excel in the design industry. In addition to the award, the 30/30 program gives these designers a chance to collaborate with other designers and hone their skills as emerging leaders in the industry.
Groth, the daughter of Doug and Eva Groth of Carthage, is a 2017 graduate of Illini West High School. She earned her bachelor's degree in interior design at Maryville University in St. Louis in 2021, and believes the golden age of flight is just beginning.
“My senior capstone project at Maryville was an interior renovation of the Seattle Tacoma international airport,” said Groth.
“Much of my research revolved around how to improve the passenger and employee experience. This is something I continue to study in my design practice as a professional both in airports and other commercial environments.”
Groth is currently employed at Jacobs, an engineering and design company in St. Louis. She has several years of experience working in the aviation sector, and has additional experience in market sectors such as financial, corporate office, commercial, advanced manufacturing, water, labs, and religious facilities.
“One of my recent projects under construction is the Lambert International Airport Maintenance Complex,” she said.
“Occasionally, I take on design projects outside of the daily grind,” Groth said. And that is where her talents returned to help her hometown of Carthage.
Groth was the designer of the proposed addition to The Legacy Theater in Carthage. She is working with the board of directors to learn about the wants and needs of the facility and studying the adjacent local architecture. A large portion of her design fee, exceeding $10,000, was donated as an in-kind gift to the capital campaign for the theater addition.
Her plan includes a new drive-up entry on the west side of the building, lobby space for gathering and concessions, and a flex room for many kinds of theater and community uses.
“The theater was a great opportunity for me to return to the early stages of the design process,” Groth said. “The schematic vision I helped the theater put together showcases their vision for the future and starts a conversation around the project.
“Seeing eyes light up in a room at the realization of possibilities is one of the best parts of my job, and it is even more special when it is directly tied to the people and place where you grew up.
“The Legacy Theater is a unique facility for a small town to have, and I am happy to have played a part in extending the building's capacity for community.”
“Carthage is no stranger to beautiful interior architecture. Look no further than the six marble staircases within the courthouse,” said Groth showing a strong appreciation of her home county.
“People shape design, and in turn, design shapes people. This relationship is at the core of the built environment,” she noted.
“Every space we inhabit has been intentionally conceived to serve a purpose, influence behavior, and create an experience. While thoughtful design often goes unnoticed, its impact is profound. Designers have a responsibility to create spaces that are not only beautiful and functional, but also deeply responsive to the needs, aspirations, and well-being of those who occupy them.
“My hope for The Legacy Theater addition is that it is realized with a level of intention that extends beyond its physical form,” said Groth.
“The vision is a community hub where each carefully considered detail contributes to a lasting sense of place, enriches the lives of its occupants, and positively serves the community for generations to come.
“Creativity has played a large part in my life, and I see the power of this facility to share that with others.”